Write a one-page essay on only ONE of the following questions.
1. How have you applied what you've learned in class to your everyday life?
2.
What is the most important thing you've learned all semester? Be sure
to explain its significance. It can be a topic, event, idea,
person--anything we've discussed in class.
Saturday, April 6, 2013
Wednesday, March 6, 2013
Proposal for Final Project
PROPOSAL DUE TUESDAY,
MARCH 19, 2013 [let me know if you need an extension]
The final project consists of two options:
1)
5 page research paper
2)
2-3 page paper with a creative element to
accompany the paper
The proposal is worth 15% of the final project grade. You
must submit a proposal and have it approved by me.
The topic of your final project is up to you. I encourage
you to think outside the box. Be sure to pick something that actually interests
or inspires you. You are not limited to the things we covered in class, so
spend some time looking through the textbook or searching online. As long as it
has to do with American history sometime from 1877 to the present is a valid
topic.
To get started I suggest the following steps:
1)
Consider the time frame of the class and
brainstorm. In your opinion, what is the most significant or interesting thing
that occurs during this time? Is there anything you have a personal connection
with? You will be spending a lot of time researching and writing, so choose
something that is actually interesting to you!
2)
Narrow down your topic. Be sure that for your
topic you have a defined era and a narrow focus.
3)
Find sources. You need at least three print
sources for the project. Find books that cover your topic.
If you choose to incorporate a creative element, here are
some broad ideas for how you might interpret a topic beyond just writing a
paper: Artwork (painting, drawing, sculpture); create a video; write a song;
writing (poem, short story, lyrics, play); food (you could cook something
or compile recipes); sports;
theater; create a blog or website, etc. If you choose something that requires
more than one person to complete it, you can work in a group. However, you each
need to submit your own individual essay to accompany the project.
PROPOSAL: You
proposal should include:
1)
Research question
2)
Why is your topic significant? Why does it
interest you?
3)
What will your project actually be? Explain if
you are just doing a research paper or if you will also be including something
you have created, such as a story, video, or song.
4)
Would you like to present your final project to
the class?
5)
List your sources
Sunday, February 24, 2013
Study Tips
Study Tips
Why do we study? Take tests? This is not so much about
regurgitating facts but about deepening your understanding of the
material—making it more real to you.
Vocabulary helps to focus in on specific details while
essays show our ability to make sense of large amounts of information and
provide meaning.
Studying may seem boring but it will strengthen your mind’s
ability to focus and to express your own understanding of history.
Vocabulary
1.
Check in with your own knowledge first. Write
down what you think the definition is. Do you know what the word means? Do you
have a sense of it but can’t necessarily define it? Are you confident to use it
in a sentence?
2.
Check to see if your definition is correct or
not. Look in your class notes first. If you cannot find it in your notes, look
in a history textbook or an encyclopedia at the library. If you still cannot
find an adequate definition, check online from a trustworthy website.
3.
Determine a clear and concise definition. A good
definition for historical terms should identify not only what the word means
but also include the pertinent dates or historical eras associated with the
word. You could also provide an example to strengthen the definition.
4.
After creating good definitions for each term it is time to
study! Index cards are a great way to test your knowledge. Place the term on
one side of the card. On the other side write the definition. Go through the
cards and quiz yourself—can you provide the definition from memory just by
looking at the word? It can also be helpful to color code the words or create a
mental image in your mind to remind you of what the word means.
Essays
There are eight essay questions. Four will be selected for
the exam. You will have to write ONE of those selected essays.
So you only really have to prepare for
five essays. Choose the five that you are most confident about. Create an
outline for each of these essays.
Write a strong and
clear thesis. Be sure to consider the historical context of the topic.
Choose three points
that will support your argument.
Answer the “so what
question” for the conclusion.
If you have time, you
could even write sample introductions or essays.
General Study Tips
Plan your time well
·
set aside a designated time to study and stick
to it!
·
allow yourself breaks but don’t lose focus—get
up, stretch and move around but don’t get lost on the internet or tv
·
give yourself little rewards for your
accomplishments
12:00-12:30 Look up
definitions for vocab
12:30-1:00 Create
flashcards
1:00-1:15 Take a break
1:15-2:00 Quiz self on
vocab
Celebrate your two
hours of studying with a piece of chocolate or something that makes you happy!
Create a good study environment
·
pick a place that is quiet
·
free yourself of distractions
·
turn off your phone and don’t check email or
Facebook
·
if you like to listen to music while you study,
try to select something that does not contain lyrics
·
share your notes and knowledge
·
quiz each other on vocab
·
create a thesis and sample outlines for each
essay and evaluate each other
What to do before the test
·
don’t cram the night before!
·
get a good night’s sleep
·
don’t stress yourself out—you know what’s on the
exam so you can be well prepared. Entering the exam with a clear and calm mind
will be more helpful than creating unnecessary anxiety for yourself.
·
Try to approach it as a fun challenge—an
opportunity to express your innate knowledge and wisdom. You got this!!
Friday, February 15, 2013
Midterm Study Guide
For the midterm there will be vocabulary and one essay.
Eight of the vocabulary words below will be on the exam and you must define all
of the words. The vocabulary will count toward 40% of the exam grade.
Of the eight essay questions below, four of them will appear
on the exam. You must choose one and write an essay with a clear thesis,
historical context, detailed examples, and a conclusion. The essay will count
toward 60% of the exam grade.
Vocab
industrialization
modernity
Mind Cure
Gilded Age
Plessy v. Ferguson
Progressivism
19th Amendment
Harlem Renaissance
Great Depression
New Deal
Pearl Harbor
internment camps
Essay Questions
1. Compare and contrast the views of W. E. B DuBois and
Booker T. Washington. How do you think they would respond to issues of race
today?
2. In the late nineteenth and early twentieth century what
social and political restrictions prevented African Americans from voting?
3. How did the concept of “buying happiness” emerge at the
turn of the twentieth century? What have been the lasting implications of this
concept?
4. Describe the Progressive Era and provide examples of
successful reforms that occurred during this time.
5. How did notions of gender change during the 1920s?
6. What characterized the Lost Generation? Consider the
impact of World War I.
7. What caused the Great Depression? How did America recover?
8. Pretend that you are living in America before the attack
on Pearl Harbor—are you an interventionist or a non-interventionist? Make a
case for or against entering World War II.
Sunday, January 6, 2013
DUE APR 9: 1980s and 1990s Pop Culture
Due Tuesday, April 9,
2013
Create a list of pop culture that defines the 1980s and another list that defines the
1990s. Consider things such as music, television, clothing, films, toys, etc.
If you grew up in the 1980s or 1990s what do you remember most about growing up
in these decades?
DUE APR 2: Stonewall Documentary
Due Tuesday, April 2,
2013
Watch this PBS documentary about the Stonewall Uprising in
1969, which can be viewed here: http://www.pbs.org/wgbh/americanexperience/films/stonewall/player/. Write a paragraph for each of the following questions (three paragraphs
total).
1. TBD
2. TBD
3.
The Stonewall Uprising spurred much activism for
LGBT rights. Are their still rights that are denied to people who are not
heterosexual? Should the government enforce laws regarding sex and sexuality in
today’s society?
DUE MAR 26: Civil Rights Movement
Due Tuesday, March 26,
2013
Without looking up any information list the women you can name who were involved in the Civil Rights Movement. Then read these two recent posts: http://thegrio.com/2011/08/25/time-for-america-to-honor-black-womens-role-in-the-civil-rights-movement/ and http://www.womenundersiegeproject.org/blog/entry/a-forgotten-battleground-womens-bodies-and-the-civil-rights-movement. Answer the question, why have black women been marginalized in the history of the Civil Rights Movement?
Watch this video featuring songs at the time of MLK's assasination. What was the impact of music at this traumatic time?
Listen to these two speech excerpts by Malcolm X in 1964 known as "The Ballot or the Bullet." Do you agree or disagree with his claims? Why or why not? If you are not familiar with Malcolm X you may want to do some background reading on him.
Take a look at the Black Panther website: http://www.blackpanther.org/ and read through their 10 point platform: http://blackpanther.org/TenPoint.html. Your school has blocked this website as being "extremely offensive." Do you agree or disagree? What do you think caused it to be labeled as "extremely offensive"?
Without looking up any information list the women you can name who were involved in the Civil Rights Movement. Then read these two recent posts: http://thegrio.com/2011/08/25/time-for-america-to-honor-black-womens-role-in-the-civil-rights-movement/ and http://www.womenundersiegeproject.org/blog/entry/a-forgotten-battleground-womens-bodies-and-the-civil-rights-movement. Answer the question, why have black women been marginalized in the history of the Civil Rights Movement?
Watch this video featuring songs at the time of MLK's assasination. What was the impact of music at this traumatic time?
Listen to these two speech excerpts by Malcolm X in 1964 known as "The Ballot or the Bullet." Do you agree or disagree with his claims? Why or why not? If you are not familiar with Malcolm X you may want to do some background reading on him.
Take a look at the Black Panther website: http://www.blackpanther.org/ and read through their 10 point platform: http://blackpanther.org/TenPoint.html. Your school has blocked this website as being "extremely offensive." Do you agree or disagree? What do you think caused it to be labeled as "extremely offensive"?
DUE MAR 5: Cuckoo’s Nest
Due Tuesday, March 5,
2013
Watch the film One Flew Over the
Cuckoo’s Nest, which can be viewed online here: http://vimeo.com/23843187. Write one paragraph descriptions of the characters
MacMurphy, Nurse Ratched, and the Chief (three paragraphs total). Come up with
a discussion question for class.
DUE FEB 19: 1950s Suburbia
Due Tuesday, February
19, 2013
Answer the three questions below with one paragraph each (three paragraphs total).
1. Read these excerpts from William Whyte's 1956 work The Organization Man: http://personal.ashland.edu/~jmoser1/whyte.htm
Scholars have described this work as "a book that defined a generation." Answer the questions, how does Whyte define the "Organization Man"? Why do you think this book resonated with people in the 1950s?
2. Examine these postcards for Levittown (suburban developments built in the 1950s). How do they portray the suburbs? What might have been appealing about the suburbs in the 1950s? Summarize your observations and thoughts into one paragraph.
3. The suburbs have been the subject of popular culture ever since they came into being. What examples can you think of? Write a paragraph describing how the suburbs are typically portrayed. Do you believe these portrayals are accurate? Why or why not?
Answer the three questions below with one paragraph each (three paragraphs total).
1. Read these excerpts from William Whyte's 1956 work The Organization Man: http://personal.ashland.edu/~jmoser1/whyte.htm
Scholars have described this work as "a book that defined a generation." Answer the questions, how does Whyte define the "Organization Man"? Why do you think this book resonated with people in the 1950s?
2. Examine these postcards for Levittown (suburban developments built in the 1950s). How do they portray the suburbs? What might have been appealing about the suburbs in the 1950s? Summarize your observations and thoughts into one paragraph.
3. The suburbs have been the subject of popular culture ever since they came into being. What examples can you think of? Write a paragraph describing how the suburbs are typically portrayed. Do you believe these portrayals are accurate? Why or why not?
DUE FEB 12: World War II
Due Tuesday, February
12, 2013
1. First, read this excerpt from President Franklin D. Roosevelt's "Four Freedoms" speech: http://teachingamericanhistory.org/library/index.asp?document=83
You can also listen to part of the speech here, if you are so inclined: http://www.archives.gov/exhibits/powers_of_persuasion/audio/pres_roosevelts_address.wav
2. Next analyze these paintings by Norman Rockwell and write a paragraph for each image. You can consider questions such as: What are the prominent symbols in the painting? How does Rockwell convey this particular "freedom"? Do they accurately represent what FDR said in his speech? If this "freedom" was represented in artwork today how might it differ from the painting? You do not have to answer every question but you should write a full paragraph for each painting. You can also come up with your own question--be creative!
3. Finally, read this editorial about the "four freedoms" and be prepared to discuss it in class: http://www.saturdayeveningpost.com/2009/01/01/archives/post-perspective/rockwells-four-freedoms.html
You can also listen to part of the speech here, if you are so inclined: http://www.archives.gov/exhibits/powers_of_persuasion/audio/pres_roosevelts_address.wav
2. Next analyze these paintings by Norman Rockwell and write a paragraph for each image. You can consider questions such as: What are the prominent symbols in the painting? How does Rockwell convey this particular "freedom"? Do they accurately represent what FDR said in his speech? If this "freedom" was represented in artwork today how might it differ from the painting? You do not have to answer every question but you should write a full paragraph for each painting. You can also come up with your own question--be creative!
"Freedom of Speech"
"Freedom of Worship"
"Freedom from Want"
"Freedom from Fear"
3. Finally, read this editorial about the "four freedoms" and be prepared to discuss it in class: http://www.saturdayeveningpost.com/2009/01/01/archives/post-perspective/rockwells-four-freedoms.html
DUE FEB 5: Charlie Chaplin
Due Tuesday, February
5, 2013
Watch these three clips from the Charlie Chaplin film Modern Times. Write a paragraph response to each of the following questions (two paragraphs total):
1. In class we discussed the term modernity, which I defined as a dramatic shift in the way people lived due to advanced technology and industrialization. What do these clips reflect about modernity in the 1930s?
2. Consider the fact that this film was released in 1936 in the midst of the Great Depression. How does humor help people cope with their hardships?
[If you would like to watch this film in its entirety, it is available here: http://www.youtube.com/watch?v=wGNYyG8F7WY]
1. In class we discussed the term modernity, which I defined as a dramatic shift in the way people lived due to advanced technology and industrialization. What do these clips reflect about modernity in the 1930s?
2. Consider the fact that this film was released in 1936 in the midst of the Great Depression. How does humor help people cope with their hardships?
[If you would like to watch this film in its entirety, it is available here: http://www.youtube.com/watch?v=wGNYyG8F7WY]
DUE JAN 29: The Lost Generation
Due Tuesday, January
29, 2013
Read these two excerpts from A Moveable Feast—Ernest Hemingway’s memoir about living in Paris in
the 1920s. Answer the following questions with one paragraph each
1)
What did Stein mean when she told Hemingway he
was part of a “lost generation”? What kind of effect do you think World War I
would have had on the youth?
2)
How does Hemingway describe F. Scott Fitzgerald
and his wife Zelda? Does this description tell you anything about the culture of expatriate Americans living in Europe during the 1920s?
“It was when we had come back from Canada and were living in
the Rue Notre-Dame-des-Champs and Miss Stein and I were still good friends that
Miss Stein made the remark about the lost generation. She had some ignition
trouble with the old Model T ford she then drove and the young man who worked
in the garage and had served in the last year of the war had not been adept, or
perhaps had not broken the priority of other vehicles, in repairing Miss Stein's
ford. Anyway he had not been serieux
and had been corrected severely by the patron of the garage after Miss Stein's
protest. The patron had said to him, ‘you are all a generation perdue.'
'That's what you are. That's what you all are,' Miss Stein
said. 'All of you young people who served in the war. You are a lost
generation.'
'Really?' I said.
'You are,' she insisted. 'You have no respect for anything.
You drink yourselves to death . . .'
'Was the young mechanic drunk?' I asked.
'Of course not.'
'Have you ever seen me drunk?'
'No. But your friends are drunk.'
'I've been drunk,' I said. 'but I don't come here drunk.'
'Of course not. I didn't say that.'
'the boy's patron was probably drunk by eleven o'clock in
the morning,' I said. 'That's why he makes such lovely phrases.'
'Don't argue with me, Hemingway,' Miss Stein said. 'It does
no good at all. You're all a lost generation, exactly as the garage keeper
said.'
Later when I wrote my first novel I tried to balance Miss Stein's
quotation from the garage keeper with one from Ecclesiastes. But that night
walking home I thought about the boy in the garage and if he had ever been
hauled in one of those vehicles when they were converted to ambulances. I remembered
how they used to burn out their brakes going down the mountain roads with a
full load of wounded and braking in low and finally using the reverse, and how
the last ones were driven over the mountainside empty, so they could be replaced
by big fiats with a good h-shift and metal-to-metal brakes. I thought of Miss Stein
and Sherwood Anderson and egotism and mental laziness versus discipline and I thought
who is calling who a lost generation?
Then as I was getting up to the Closerie des Lilas with the
light on my old friend, the statue of Marshal Ney with his sword out and the
shadows of the trees on the bronze, and he alone there and nobody behind him
and what a fiasco he'd made of Waterloo, I thought that all generations were
lost by something and always had been and always would be and I stopped at the
Lilas to keep the statue company and drank a cold beer before going home to the
flat over the sawmill. But sitting there with the beer, watching the statue and
remembering how many days Ney had fought, personally, with the rearguard on the
retreat from Moscow that Napoleon had ridden away from in the coach with Caulaincourt,
I thought of what a warm and affectionate friend Miss Stein had been and how
beautifully she had spoken of Apollinaire and of his death on the day of the
armistice in 1918 with the crowd shouting 'a bas guillaume' and Apollinaire, in
his delirium, thinking they were crying against him, and I thought, I will do
my best to serve her and see she gets justice for the good work she had done as
long as I can, so help me God and Mike Ney. But the hell with her
lost-generation talk and all the dirty, easy labels.
When I got home and into the courtyard and upstairs and saw
my wife and my son and his cat, F. Puss, all of them happy and a fire in the fireplace,
I said to my wife, 'you know, Gertrude is nice, anyway.'
'of course, tatie.'
'but she does talk a lot of rot sometimes.'
'I never hear her,' my wife said. 'I'm a wife. It's her
friend that talks to me.'
* * *
“Scott Fitzgerald invited us to have lunch with his wife Zelda
and his little daughter at the furnished flat they had rented at 14 Rue de Tilsitt.
I cannot remember much about the flat except that it was gloomy and airless and
that there was nothing in it that seemed to belong to them except Scott's first
books bound in light blue leather with the titles in gold. Scott also showed us
a large ledger with all of the stories he had published listed in it year after
year with the prices he had received for them and also the amounts received for
any motion picture sales, and the sales and royalties of his books. They were
all noted as carefully as the log of a ship and Scott showed them to both of us
with impersonal pride as though he were the curator of a museum. Scott was
nervous and hospitable and he showed us his accounts of his earnings as though
they had been the view. There was no view.
Zelda had a very bad hangover. They had been up on Montmartre
the night before and had quarreled because Scott did not want to get drunk. He
had decided, he told me, to work hard and not to drink and Zelda was treating
him as though he were a kill-joy or a spoilsport. Those were the two words she
used to him and there was recrimination and Zelda would say, 'I did not, I did
no such thing. It's not true, Scott.' Later she would seem to recall something
and would laugh happily.
On this day Zelda did not look her best. Her beautiful dark
blonde hair had been ruined temporarily by a bad permanent she had got in Lyon,
when the rain had made them abandon their car, and her eyes were tired and her
face was too taut and drawn.
She was formally pleasant to Hadley [Hemingway’s wife] and
me but a big part of her seemed not to be present but to still be on the party
she had come home from that morning. She and Scott both seemed to feel that Scott
and I had enjoyed a great and wonderful time on the trip up from Lyon and she
was jealous about it.
'When you two can go off and have such simply wonderful
times together, it only seems fair that I should have just a little fun with
our good friends here in Paris,' she said to Scott.
Scott was being the perfect host and we ate a very bad lunch
that the wine cheered a little but not much. The little girl was blonde,
chubby-faced, well built, and very healthy-looking and spoke English with a
strong cockney accent. Scott explained that she had an English nanny because he
wanted her to speak like Lady Diana Manners when she grew up.
Zelda had hawk's eyes and a thin mouth and deep-south
manners and accent. Watching her face you could see her mind leave the table
and go to the night's party and return with her eyes blank as a cat's and then
pleased, and the pleasure would show along the thin line of her lips and then
be gone. Scott was being the good cheerful host and Zelda looked at him and she
smiled happily with her eyes and her mouth too as he drank the wine. I learned
to know that smile very well. It meant she knew Scott would not be able to
write.
Zelda was jealous of Scott's work and as we got to know
them, this fell into a regular pattern. Scott would resolve not to go on
all-night drinking parties and to get some exercise each day and work
regularly. He would start to work and as soon as he was working well Zelda
would begin complaining about how bored she was and get him off on another
drunken party. They would quarrel and then make up and he would sweat out the
alcohol on long walks with me, and make up his mind that this time he would
really work, and would start off well. Then it would start all over again.
Scott was very much in love with Zelda. And he was very jealous
of her. He told me many times on our walks of how she had fallen in love with
the French navy pilot. But she had never made him really jealous with another
man since. This spring she was making him jealous with other women and on the Montmartre
parties he was afraid to pass out and he was afraid to have her pass out. Becoming
unconscious when they drank had always been their great defence. They went to
sleep on drinking an amount of liquor or champagne that would have little
effect on a person accustomed to drinking, and they would go to sleep like
children. I have seen them become unconscious not as though they were drunk but
as though they had been anaesthetized, and their friends, or sometimes a
taxi-driver, would get them to bed, and when they woke they would be fresh and
happy, not having taken enough alcohol to damage their bodies before it made
them unconscious.
Now they had lost this natural defence. At this time Zelda could
drink more than Scott could and Scott was afraid for her to pass out in the
company they kept that spring and the places they went to. Scott did not like
the places nor the people and he had to drink more than he could drink and be
in any control of himself, to stand the people and the places, and then he
began to have to drink to keep awake after hew ould usually have passed out. Finally
he had few intervals of work at all.
He was always trying to work. Each day he would try and
fail. He laid the failure to Paris, the town best organized for a. writer to
write in that there is. And he thought always that there would be some place
where he and Zelda could have a good life together again. He thought of the Riviera,
as it was then before it had all been built up, with the lovely stretches of
blue sea and the sand beaches and the stretches of pinewoods and the mountains
of the esterel going out into the sea. He remembered it as it was when he and Zelda
had first found it before people went there for the summer.
Scott told me about the Riviera and how my wife and I must
come there' the next summer and how we would go there and how he would find a
place for us that was not expensive and we would both work hard every day and
swim and lie on the beach and be brown and only have a single aperitif before
lunch and one before dinner. Zelda would be happy there, he said. She loved to
swim and was a beautiful diver and she was happy with that life and would want
him to work and everything would be disciplined. He and Zelda and their
daughter were going to go there that summer. I was trying to get him to write
his stories as well as he could and not trick them to conform to any formula,
as he had explained that he did.
'You've written a fine novel now,' I told him. 'and you
mustn't write slop.'
'The novel isn't selling,' he said. 'i must write stories
and they have to be stories that will sell.'
'Write the best story that you can and write it as straight
as you can.'
'I'm going to,' he said.
But the way things were going, he was lucky to get any work
done at all. Zelda did not encourage the people who were chasing her and she
had nothing to do with them, she said. But it amused her and it made Scott
jealous and he had to go with her to the places. It destroyed his work, and she
was more jealous of his work than anything. All that late spring and early
summer Scott fought to work but he could only work in snatches. When I saw him
he was always cheerful, sometimes desperately cheerful, and he made good jokes
and was a good companion. when he had very bad times, I listened to him about
them and tried to make him know that if he could hold onto himself he would
write as he was made to write, and that only death was irrevocable. He would
make fun of himself then, and as long as he could do that I thought that he was
safe.”
DUE JAN 22: Washington and Du Bois
Due Tuesday, January
22, 2013
Read Booker T. Washington’s 1895 Atlanta Compromise Speech l(ocated
here: http://historymatters.gmu.edu/d/39/)
and W. E. B. Du Bois’s “Chapter 3: Of Mr. Booker T. Washington and Others"
from The Souls of Black Folk (1903) (located
here: http://www.bartleby.com/114/3.html)
Write one paragraph for each question below (two paragraphs total).
Write one paragraph for each question below (two paragraphs total).
1) What are the similarities and differences between Washington and Du Bois’s arguments?
2) What do you think motivates each argument?
DUE JAN 15: Gilded Age
Due Tuesday, January
15, 2013
Read the excerpt from Laura M. Westall’s 1908 book A Common-Sense View of the Mind Cure and
respond to each question with one paragraph (two paragraphs total):
1.
What does Westall believe that the human mind
has the power to do? What does she suggest will allow individuals to access
that power?
2.
Do you agree with her assertions? Why or why
not?
“The first step in rational mind-cure is unquestionably to
change the mode of thought; but it is not enough to stop thinking depressing
thoughts--a positive attitude must be taken in order to render the mind
buoyant. And this may be done in several ways:
The method of "suggestion "--the daily affirmation
of ideal health, hope, and courage--is good, for the reason that the mind feeds
upon such ideas as harmonize with the inherent instinct of self-preservation.
One is working with nature.
The use of the imagination is equally good; it is a molding
force. But it requires mental concentration, which few practise or fully
understand, and therefore the simple self-suggestion is easier, generally
speaking.
The spiritual uplift which we call prayer is also an aid. For
whatever uplifts the soul exhilarates the mind, and we thus get a better mental
reaction. Its effect, however, is temporary, and it can not be relied upon to
effect a cure; else why were not our martyred presidents restored to health?
Finally, one may try to cultivate a saner philosophy of
life. Most of us are too self-centered; we dwell too much upon our personal
discomforts. If therefore we can bring ourselves to see that suffering in some
form is the common lot; that it is a part of the discipline of life, which
chastens the soul and fits it for a nobler sphere of thought and action, we
shall go far toward cultivating a cheerful stoicism in regard to our ills.
The second step in self-help is to reform the mode of life,
thus securing a better adjustment to external conditions. And here are needed
common sense and self-control. The man who persistently fritters away his
energy in emotional excesses; who delivers himself up to self-indulgence; who
deprives himself of fresh air, sunshine, sleep, pure food, and pure water, or
who works each day to the point of exhaustion, must suffer the penalty. The law
of compensation can not be escaped. The dyspeptic who persists in
"bolting" his food, overloading his stomach, or eating when fatigued
can not be cured by any method known to man. If you should have a sore on your
hand and removed the scab as fast as it formed, how long would it take for the
sore to heal?
Finally, one must by a combined mental and physical
treatment build up the brain and thus improve the vitality.
To begin with, the brain is the hardest-worked part of the
body, and the tendency of our time is to overwork it. So then one should learn
to rest the brain. When the first symptoms of fatigue appear, stop; throw
yourself back in an easy chair or couch and relax the muscles. This takes the
tension off the brain. Every one knows that when the leg muscles begin to ache,
after walking some distance, how refreshed he feels after a halt of a single
moment. Having relaxed the muscles, close the eyes, and let the thoughts drift;
or, better still, make the mind a blank. Five minutes, even three minutes, will
prove refreshing, and it should be resorted to at frequent intervals daily in
nervous exhaustion. The celebrated Dr. Pepper, of Philadelphia, trained himself
to fall asleep for two or three minutes at frequent intervals throughout the
day, and thus accomplished a vast amount of work without fatigue. Just to relax
the muscles, hold the brain steady, and stop thinking gives this cerebral rest.
The second measure, both hygienic and mental, is stimulating
the brain, but this involves the third, which is breathing.
Some men and nearly all women breathe improperly. With the
latter, tight clothing which crowds the vital organs together and diminishes
lung space, and the wrong habit of sitting and standing, are responsible. Only
a small portion of the lungs is used, and there is residual air which is rarely
changed. And yet "breath is life." We can live a number of days
without food, several days without water, but only a few moments without air. …
It should be made a habit. If one is obliged to live an
indoor life, he should make it a practise to go to the door or window at
frequent intervals and take each time at least seven full, deep inhalations,
filling the lungs to their utmost capacity. With head erect, and chest lifted,
hold the inspired air for a few seconds, to extract all the oxygen from it.
An excellent exercise is to place the feet side by side,
clasp the hands, and inhale and exhale regularly for several moments. The brain
is thus electrically charged.
Another: Stand erect, inhale deeply, then holding the breath
drop the head forward slightly, clench the hands, and tense all the muscles.
This stimulates the circulation of the brain.
For nervous debility and mental depression, deep breathing
is unexcelled, particularly if one applies imagination. Thus: when inhaling
imagine that you are taking into your system the life-giving oxygen; that the
invigorated blood is circulating in the brain, stimulating the exhausted cells,
and imparting to them new life. With a little practise, one will soon be able
to perceive the quickened circulation, which will be followed by a sense of
exhilaration.
Local self-treatment comes next in order. We have seen how
the vital force leaving the brain spreads throughout the body by means of
nerve-fibers; that it is the life-stimulus, since it keeps the internal fires
burning; that if it depreciates or is unequally distributed, the weakest spot
will be the first to suffer; and that only through its activity can the
circulation be kept normal and also the nutrition of each and every part.
Manifestly, then, it is necessary to get control of this
life-energy; and it is by no means as difficult as at first appears.
Simply concentrating the attention or fixing the mind upon
any organ or part will, as before explained, direct the vital current to that
spot. … If one applies imagination or "suggestion" results are
quicker. Thus: One may form a mental picture of the vital force directed to a
given spot, as the gardener turns his hose at will upon the plants under his
care, and one may follow in imagination the course of the blood. And, finally,
the purpose of all this: a mental picture of the desired result. …
A little practise will bring any part of the body into
almost instant communication with the mind. …
It means work--daily, persistent work--to get results. But
if pills and powders fail to cure you, what are you going to do about it? Live
at a "poor dying rate" or muster up courage to take a hand in your
own salvation? …
It is a matter which each person must decide for
himself--whether or not he has the necessary knowledge and courage to attack
his case single-handed. Some friend or physician may put him on his feet, but,
when all is said, the permanence of his cure depends upon himself; for if he
drops back into the old habit of thought and life, he will gradually reinstate
the conditions which first laid him low, and will naturally relapse into a
similar state. He is wise, therefore, in any event, if he sets about his own
regeneration.
Moreover, it is a fine discipline for the mind. It
strengthens the will, develops self-reliance, self-control, and
self-confidence. And when the victory is won, it is virtually self-mastery.
And "whoso conquereth his own soul is greater than he
who taketh a city." ”
The full text of this book is available here: http://www.sacred-texts.com/nth/cvmc/index.htm
Assignment Checklist
Due Date
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Assignment
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Jan 8
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Chapter 14: Now That We are Free
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Chapter 15: Conflict and Conquest
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Chapter 16: Wonder and Woe
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Jan 15
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Response due on Gilded Age
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Chapter 17: Becoming a Modern Society
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Chapter 18: Creating a Democratic Paradise
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Jan 22
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Response on Washington and Du Bois due
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Chapter 19: Imperial America
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Jan 29
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Response on the Lost Generation due
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Chapter 20: The Great War
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Chapter 21: A Turbulent Decade
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Feb 5
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Response on Chaplin due
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Chapter 22: A New Deal for America
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Feb 12
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Response on WWII images due
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Chapter 23: World War II
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Feb 19
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Response on suburbia due
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Chapter 24: A Divided World
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Chapter 25: In a Land of Plenty
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Feb 26
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MIDTERM
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Mar 5
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Response on Cuckoo’s Nest due
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Mar 19
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Proposals Due
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Chapter 26: A Nation Divided
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Chapter 27: A Decade of Discord
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Mar 26
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Response on speeches due
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Apr 2
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Response on Stonewall due
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Chapter 28: Righting a Nation Adrift
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Apr 9
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Response on 1980s and 90s due
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Chapter 29: Building a New World Order
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Apr 16
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FINAL PROJECT DUE
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